When Saki Morimi gets into trouble with the police while in Washington D.C., she is helped by a Japanese man who calls himself, Akira Takizawa. Akira has only two things, a gun and a cell phone loaded with 8.2 billion yen in digital money.

A newly married couple purchase a mansion in the countryside to open a bed and breakfast. However, it is soon revealed that some brutal murders took place previously on the property and someone or something might be lurking in the basement.

An operative for an elite private intelligence firm finds her priorities irrevocably changed after she is tasked with infiltrating an anarchist group known for executing covert attacks upon major corporations.

Two American expatriates, Jack and Sam, unwittingly steal a drug lord's money when they rob a series of banks in Southeast Asia and become the target of the gang's vengeance.

When tensions around AI spark civil unrest, Akira is caught in the crossfire when he protects his girlfriend from an assassin. Hundreds of years later, he awakens from cryogenic sleep to an unfamiliar world and bonds with the android Yuugure.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts - modified with advanced robotics, through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.

'Testudon', one of the most famous foolish film festivals, made a foolish anthology film about 'Japan' with 26 directors. Naturally, the directors are also foolish enough, so that you might wonder if it is really about Japan or get headache at the screening.At least, some of the 26 various works will please you. It is inevitable that the theater room will be full of laughter, hand claps, roars or booings like 'Pay back the money!'. But we won't reimburse you!

The fate of two brothers diverge after the murder of their coal miner father, with one joining the mob and the other becoming a successful lawyer.

An aspiring singer, a troubled rich boy, and an ex-seminarian share an apartment in the East Village in this story dealing with AIDS, sexuality, and living in NYC of the late '80s.